Thanks corpse, that was my first impression anywaysJust got my 72 Les Paul back custom, after a re-fretMaybe studying some Mick Ronson This weekend
Thanks corpse, that was my first impression anywaysJust got my 72 Les Paul back custom, after a re-fretMaybe studying some Mick Ronson This weekend
When I listen to Tull, I am aware that many of Jethro Tull songs and recordings incorporate unusual time-signatures and key changes within a particular number. They don't seem to heavily rely on the the standard 4/4 or half-time, like many rock bands of the period. So to play like Martin Barre, you have to move away from the standard 4/4 and reach out to the unusual time signatures. In a way it's somewhat related to Jazz music with intricate and difficult passages being the norm.
Agree, I picked up a J 45 and I guitar store eight years ago and regret to this day not buying it Gibson nice crisp sound 2400 American. I think a lot of it is done in the studio leave it to the experts?
Always like the tone and timbre of Ian Anderson acoustic sound during the 70's Tull era. What affordable guitars could replicate this today?
Just watch the post video by Marshall 87 looks like a classical guitar strong with steel strings also seeing interview with Ian Anderson He would stop the cab so to speak and runninthe pawnshops tobuyguitars
Now I know where Jeff Beck out that idea for a scatterbrain May I be so bold
The Outro jam right at the end I think it’s a brick sounds very much like Jeff Becks Scatterbrain