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Software engineer. Primarily play bass and keyboards. Audio engineering with Pro Tools for my own and other people's projects. Play guitar for fun and as a way to communicate ideas with other guitarists.
2014 R9 based on Beauty Of The Burst page 90 guitar. Made for Japanese market. Top selected by Edwin Wilson, relic'd by Tom Murphy. Case and documentation signed by both Edwin and Tom.
Big Tex '53 blackguard Telecaster copy
1959 Fender Precision Bass
Sadowsky 4 string - Alder body with Candy Apple Red finish and matching headstock.
2006 Fender Custom Shop Pino Palladino signature P-bass. Fender American Vintage 1964 Jazz Bass with Sonic Blue finish and matching headstock
1971 Martin D18 that's had a recent neck reset, refret and new bridge installed.
1962 Fender Vibrolux brownface amplifier. MXR Carbon Copy delay, Durham Electronics Zia Drive, TC Electronics Tuner, J Rocket Audio Ikon Overdrive, Vintage Sound Benchworks voltage regulator
Demeter bass preamp and direct box
Ampeg Bass DI
Pro Tools 12 with various plug-ins. JBL Studio Monitors, Shure and Audix Microphones, Grace pre-amp
1963 Fender Jazz Bass - Lake Placid Blue. My first bass, bought used in 1968. Played regularly in every imaginable style through 1988, when it was stolen in Los Angeles. I'd still like to get it back. :^(
Joe Perry Signature Les Paul from the mid-90's, R8 lemondrop plaintop, R7 double cutaway junior. All sold in a moment of weakness.
Harmony and Ovation acoustic guitars. The less said about those the better.
The Beatles, Keith Richards, The Pretenders, Stan Getz, Wayne Shorter, Joni Mitchell, Metallica, Stax & Motown Records house bands, a bunch of people I'm forgetting.
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