jb_abides
Well-known member
- Joined
- Apr 6, 2005
- Messages
- 5,276
Not me. I just found this to be a good review.
For those who exclaim 'get a Heritage' whenever people experience issues with Gibson, take note.
She experienced QC issues including intonation stemming from fixed saddle bridge, finish issues with the f-holes, and wasn't happy with the lack of rounded fretboard edges.
She liked the pickups. I appreciate the clarity she remarked upon; however I actually preferred her Howard Roberts when amplified. Perhaps I am biased to a particular Gibson jazz tone.
I am left wondering why she didn't look for a used ES-175?
For those who exclaim 'get a Heritage' whenever people experience issues with Gibson, take note.
She experienced QC issues including intonation stemming from fixed saddle bridge, finish issues with the f-holes, and wasn't happy with the lack of rounded fretboard edges.
She liked the pickups. I appreciate the clarity she remarked upon; however I actually preferred her Howard Roberts when amplified. Perhaps I am biased to a particular Gibson jazz tone.
I am left wondering why she didn't look for a used ES-175?