Crusader
New member
- Joined
- Oct 2, 2020
- Messages
- 13
In 2009 I bought a LP Studio w 490/498 pickups. Previous guitar was a 61 Reissue Les Paul SG w 57 Classics and I liked the sound of the Les Paul a lot more. SG has thinner body and Neck pu closer to bridge
Although I liked the sound of the LP it was a bit 'unpleasant' up around the 12th fret and beyond, so after a year or so I put in some 57 Classics and I describe the sound as being 'smoother' - nice but didn't change the overall sound of the guitar. I also tried some Dimarzio's and Seymour Duncans and found they all changed the tone a bit but just going round in circles really
Then I bought an ES-137, different creature, then I bought a LP Traditional which I planned to replace the LP Studio. Trouble is I didn't try it out enough in the shop. It sounded sweet in the top end but after bringing it home I realised it had no bottom-end, very 'soft' The Studio was great with open chords but not the Trad (point to note, I should have sold the Studio first so I couldn't compare them!) Then I bought an Alex Lifeson Axcess LP (again, a different beast)
Then in 2014 I started wondering what a 59 Reissue would be like so I went into a shop armed with my Studio to make sure it actually sounded better than it. Compared it with a 58 Reissue (chambered) LP Standard and a 59 Reissue. I laid my MasterCard on the desk and went home with the 59 Reissue. I drove home thinking I will just have to keep this old car for a bit longer
The 59 Reissue has Custom-Bucker pickups which I understand are similar to Burst-Buckers. At some point I tried 57 Classics etc. but I decided it doesn't change the sound all that much and just leave it stock
Today it just occurred to me, why didn't I just buy some Custom-Buckers and put them in my Studio? Then I realised I've been down that path, and my conclusion is its not the pickups, its the guitar
Although I liked the sound of the LP it was a bit 'unpleasant' up around the 12th fret and beyond, so after a year or so I put in some 57 Classics and I describe the sound as being 'smoother' - nice but didn't change the overall sound of the guitar. I also tried some Dimarzio's and Seymour Duncans and found they all changed the tone a bit but just going round in circles really
Then I bought an ES-137, different creature, then I bought a LP Traditional which I planned to replace the LP Studio. Trouble is I didn't try it out enough in the shop. It sounded sweet in the top end but after bringing it home I realised it had no bottom-end, very 'soft' The Studio was great with open chords but not the Trad (point to note, I should have sold the Studio first so I couldn't compare them!) Then I bought an Alex Lifeson Axcess LP (again, a different beast)
Then in 2014 I started wondering what a 59 Reissue would be like so I went into a shop armed with my Studio to make sure it actually sounded better than it. Compared it with a 58 Reissue (chambered) LP Standard and a 59 Reissue. I laid my MasterCard on the desk and went home with the 59 Reissue. I drove home thinking I will just have to keep this old car for a bit longer

Today it just occurred to me, why didn't I just buy some Custom-Buckers and put them in my Studio? Then I realised I've been down that path, and my conclusion is its not the pickups, its the guitar