brandtkronholm
Well-known member
- Joined
- Dec 3, 2006
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I have an opinion on what this fellow has to say about "the secrets" to Jimmy Page's tone in this video.
The opinion I have is quite strong.
Do you have an opinion?
I've spoken to Carl in person..That guitar is a 72 Deluxe with added full sized hums.What Les Paul model is that? That guitar he's playing has Custom inlays.
Of course, Jimmy never had coil splits in Zeppelin. That 21 sound harness came about on his seldom played #2. Mods done circa 1982 by Steve HoylandThe guy is obviously into Page, and has learned many of his techniques, his tone is a little harsh, but I think his techniques are a good way to start getting into Jimmy for someone who wants to open that door. The splitting and blending of the pickups technique will surely get a novice on the page faster. And deliberately knowing what you need to do to get a sound is important. I like what he has to say.
Most of this type of thing falls on deaf ears to me because I've spent more of my time trying to develop my own sound, but once again, anyone trying to get into Zepp/Page I think he's worth a listen. And, I just checked out his band Soul Of Led Zeppelin and they are pretty rocking...
Black Dog was played live in the Middle Position...Most players opt for the bridge pickup, because a modern Les Paul can't do the Jimmy Page 'middle sound'.. It's a pity as Jimmy P lived in the middle slot.My strong opinion is he did not get Black Dog rightNo need to slide up a step. I do like the way he plays though.
Mr. Page is many things. A guitarist, producer, sound engineer, and composer. There's a heck of a lot Mr. Page going on in those records.
Sometimes I think "tone" get mixed up with "personal style."
I am no one to judge.
Interesting. Perhaps middle switch position and roll off the neck pickup just enough to get there. I think if I got heavily into recording I would lose my mindBlack Dog was played live in the Middle Position...Most players opt for the bridge pickup, because a modern Les Paul can't do the Jimmy Page 'middle sound'.. It's a pity as Jimmy P lived in the middle slot.
I have an LPR9 with Gibson installed split Neck and Bridge pickups. I absolutely get what Mr. Page was doing pulling the neck split in the middle position. Non-split neck is a "deeper" middle position tone and the neck split pulls that out to leave something that leans more toward the bridge pickup. It sounds like a bridge pickup that has more oomph. The split pulls out those lower frequencies that a full neck would have.Carl's Great, Expert on Page .The only thing here to disagree with (imo) is his view on 'unimportance on equipment '.
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The Source of the correct tone are the Pickups, and the mainstream winders don't do a set ( Gibson , Duncan etc) Jimmys neck pickup was a unicorn..A Boutique PAF won't do that sound either.
Rock and Roll (Live) and Whole Lotta Love (live) on 'The Song Remains the Same' was exactly that.. Middle Position Riffs with Neck pickup backed off a tad..Not a single person on YT plays it correctly. All, incorrectly select bridge pickup.In their defence I quess, the modern Les Paul Middle sound does sound a bit bloated. Black Dog was different.Yes, middle position again, but more 'phase cancellation ' in that tone.Interesting. Perhaps middle switch position and roll off the neck pickup just enough to get there. I think if I got heavily into recording I would lose my mind![]()
Although Jimmy didn't do it that way of course in Zeppelin ,his guitar was just wired standard.The Coil split , out of phase stuff was done in 1985 by Steve Hoyland on Jimmy's backup #2 Les Paul well after Zeppelin.I have an LPR9 with Gibson installed split Neck and Bridge pickups. I absolutely get what Mr. Page was doing pulling the neck split in the middle position. Non-split neck is a "deeper" middle position tone and the neck split pulls that out to leave something that leans more toward the bridge pickup. It sounds like a bridge pickup that has more oomph. The split pulls out those lower frequencies that a full neck would have.
What you like or personal preferences are just as valid/ important as anybody else's.Very interesting tones there for sure. Might be pretty hard to get some of that out of my R9, and not worth the trouble. I must admit that I like the earlier Zep/Tele/Page tones better than the later stuff with the Page on the Les Paul. Physical Graffiti for instance, too much middle position switch for my taste (if that's what he used), but that's just me, and who the hell am I anyway.
Well before we go off into Tele-land (even though I have one) the middle switch position on my '61 SG RI is pretty darn close. Anyway, I wonder if Page got used to that tone when he played the Tele and then we he got the LP he found a way to coax a similar tone out of it. I really admire the way he got so many tones and sounds in the studio, and how it all came together so great on the records back then. Every song is so different.What you like or personal preferences are just as valid/ important as anybody else's.
You won't get Page Zeppelin tone out of an R9 with Gibson pickups ...The Bizzare thing is the Closest sound to Jimmy's Les Paul off the shop floor is Fender Telecaster Custom ( Not a Les Paul at all!)Why is this?..It gets closest of any guitar to that middle tone, which is the sound Page used most.