Xpensive Wino
Well-known member
- Joined
- Nov 3, 2012
- Messages
- 6,079
On this week’s Dipped In Tone, Rhett and Zack are joined by Adam Levy, the thoughtful, soft-spoken accompanist known for his work with Norah Jones.
“I need it to sound like Solomon Burke is singing,” Levy says of his style and philosophy, centered on leads and mid-register tones.
His formative playing experiences were on a Gibson ES-335, and Zack and Rhett wonder why the semi-hollow remains Levy’s go-to over, say, a Les Paul or T-style guitar.
“[We] kind of put guitars in buckets: ‘This guitar does this, this guitar does that,’” says Levy. “But a lot of it is just what you do with your hands anyway. I feel like the instrument itself is maybe just a third of all that stuff.”
Levy says that as the years go on, he gets “more like myself” when playing.
A piece of that, he says, is stepping back from guitar music altogether. “Go on a guitar fast for a month,” he says. Levy says that removing the distractions of analyzing for specific tones and gear can create a clearer relationship to music. “All you can really notice is, ‘What’s the mood? How does it make me feel?’”
Similarly, Levy warns of the dangers of over-analyzing your playing: “A little bit of reflection can go a long way,” he says, but “you don’t want to get so reflective that you shut yourself down.”
“I need it to sound like Solomon Burke is singing,” Levy says of his style and philosophy, centered on leads and mid-register tones.
His formative playing experiences were on a Gibson ES-335, and Zack and Rhett wonder why the semi-hollow remains Levy’s go-to over, say, a Les Paul or T-style guitar.
“[We] kind of put guitars in buckets: ‘This guitar does this, this guitar does that,’” says Levy. “But a lot of it is just what you do with your hands anyway. I feel like the instrument itself is maybe just a third of all that stuff.”
Levy says that as the years go on, he gets “more like myself” when playing.
A piece of that, he says, is stepping back from guitar music altogether. “Go on a guitar fast for a month,” he says. Levy says that removing the distractions of analyzing for specific tones and gear can create a clearer relationship to music. “All you can really notice is, ‘What’s the mood? How does it make me feel?’”
Similarly, Levy warns of the dangers of over-analyzing your playing: “A little bit of reflection can go a long way,” he says, but “you don’t want to get so reflective that you shut yourself down.”