• THIS IS THE 25th ANNIVERSARY YEAR FOR THE LES PAUL FORUM! PLEASE CELEBRATE WITH US AND SUPPORT US WITH A DONATION TO KEEP US GOING! We've made a large financial investment to convert the Les Paul Forum to this new XenForo platform, and now have to move to a new host. We also have ongoing monthly operating expenses. THE "DONATIONS" TAB IS NOW WORKING, AND WE WOULD APPRECIATE ANY DONATIONS YOU CAN MAKE TO KEEP THE LES PAUL FORUM GOING! Thank you!
  • WE HAVE MOVED THE LES PAUL FORUM TO A NEW HOSTING PROVIDER! Let us know how things are going! Many thanks, Mike Slubowski, Admin
  • We're having some "break in" period issues with our new email system provider - the Achilles Heel of our conversion to a new hosting site. Please give us some time to resolve this. Thanks and apologies.

Analogue and digital

Happy Tree

Member
Joined
Apr 1, 2024
Messages
27
IMG_1424.jpg

Here's my amp wall of death.

The rack on the left goes with the 3 AC30 clones along the bottom for the Brian May setup Wet-Dry-Wet. They were hand made by Dave Peterson, former employee of VOX and May's amp tech in the 90s. You need 3 of them for "reasons". Yes, they all have attenuators! I usually only use these with the Brian May guitar for the authentic tone.

The Marshall DSL40 is a nice tube amp for the Gibsons. The Wampler Tumnus is great for boosting them.

I mainly use the Helix rack and its accompanying speaker (on the extreme left). It also outputs to a mixer which goes into a looper and out to speakers so I can loop anything else I want like keyboards, drums, etc. On the Helix I use Twin Reverb and Friedman models 90% of the time. Added a nice Cloudburst in the effect loop.

At school I keep a Fender Mustang GTX100 for general use. Its models are also excellent.

I like both analogue and digital types of amp. They both have their place.
 
Top