Pellman73
Well-known member
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- Aug 9, 2016
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Oh. Hear.
Yep just watched it
Oh. Hear.
... Revival Drive? Lot's o' knobs and switches, lots o' geld, but, darn, it sounds fantastic.
Now, note that he's playing it through a clean blackface Twin Reverb at a level he can speak over...
The Revival (as in song one from the Allman Brothers album, Idlewild South) is a lot more than a drive, it is an analog simulation of all of the portions of an amplifier, including the power supply, in a pedal. It features two channels, one tube rectified and one silicon rectified. It is designed to work through clean amps or slightly driven amps and bright amps and dull amps, etc. Want to know more? Watch through the builder's five videos, starting with this one:
Revival -- named after the allman bros song!
so the really cool thing here is back in 2001 when I first fell in love with les pauls it was all because of the tone of the guitars in Blue Sky. And for me the allman tones are some of my favorites... so its extra cool that it has that connection and that he was also inspired by the allmans
full circle! (for me)
You know, "Revival" (the song) was one of the first Allman Brothers tunes to hit me as well but it was in 1973 when Beginnings, the 1973 repackage of their first two albums, came out.Revival -- named after the allman bros song!
so the really cool thing here is back in 2001 when I first fell in love with les pauls it was all because of the tone of the guitars in Blue Sky. And for me the allman tones are some of my favorites... so its extra cool that it has that connection and that he was also inspired by the allmans
full circle! (for me)
You know, "Revival" (the song) was one of the first Allman Brothers tunes to hit me as well but it was in 1973 when Beginnings, the 1973 repackage of their first two albums, came out.
View attachment 7709
Bob
Glad to help, guys. I apologize to your wallets. Being a recording engineer makes me a CERTIFIED tweaker - I've chased all these variations for years and have ended up with a "amp wall." This thing threatens to replace a good percentage of them. Besides anything else, this looks to take care of the bedroom/studio level problem rather spectacularly.
Bob
I don't have a Revival Drive yet and I mostly use my own gear for "my own-littles-elf." Because I'm a producer/engineer/guitarist/synthesist so I'm the cheapest guitarist my clients can find when they bring me on as the producer. However, I've had breakthroughs: the last guy I had in did the sessions half with an Orange amp rig and half with my modeler that's programmed with my special sauce when he heard how good it sounded.It seems that every session player/band that I've had sessions with, 99% of the time has their own gear. How do you persuade them to give this a try for their session when they are not familiar with it? Just curious.
Are you just using it for yourself?
I saw them in Broome County Veterans Memorial Arena right around when that album came out. I'll always remember that.
I like to count my experiences with the Allman Brothers as the times I just missed them. Like Knoxville, TN, 1772. Or Savannah GA, 1974. Chattanooga, TN, 1976. I was actually living a couple of miles from Pyramid Sound Studios when they were recording Reach for the Sky. I kept driving by and saying, "Those scruffy guys sitting out front look so familiar..."I saw them in Broome County Veterans Memorial Arena right around when that album came out. I'll always remember that.
I like to count my experiences with the Allman Brothers as the times I just missed them. Like Knoxville, TN, 1772. Or Savannah GA, 1974. Chattanooga, TN, 1976. I was actually living a couple of miles from Pyramid Sound Studios when they were recording Reach for the Sky. I kept driving by and saying, "Those scruffy guys sitting out front look so familiar..."
I finally caught up with them on their "Never Trust a Band Under 30" tour in 1999. It was Derek's first outing with them and Dickie was drunk. Derek hadn't yet developed his soul and Dickie was trying to figure out exactly what he had strapped onto him. I was saddened, despite the amount of secondary weed in the air. However, Butch, Jai, and Mark Q. had a drum solo that made my heart race.
Bob
I've seen Betts pull a knife on the monitor mixer, intentionally play out of time (and un-intenionally too) and in general just be an asshole and that's just onstage. He's struggled with being a sensitive guy and a redneck all his life. Duane knew how to talk to him and get him to go along with everything for the band. Once Duane and then Berry left us he was "difficult". I was lucky to see them 3 weeks before Duane was killed at a small-ish club in L.A. I saw "The Second Coming" a few times in 1968 when I lived in Florida. They were really very, very good! They were mainly playing covers, but the band consisted of great musicians: Dickey, Berry(or BO as we called him), Reese Wynans, Larry "Rhino" Reinhert & Bobby Caldwell. Dickey's then wife Dale was singing as well.
Not sure on the date. Thinking anywhere between 71 and 75.
Ok everybody I've had a chance to mess with this thing and OH MY JEEAYAZUS THANK YOU JEAAZUZUS!
un REAL
this, combined with my Cali76 big box germanium boost and its tone insanity
i"ve never sounded so good! (to me)
the ghosty thing is SO COOL when you really get it going. you play the high notes and there is this (bruuuuumph low note thing you hear along with it. its crazy)
This going into the Matchless is really phenomenal.
I'd try very hard to get one.
AWESOME! I'm still waiting on mine. But I got a deal so I'm happy. Did you get the aux button box?