Gridlock
Well-known member
- Joined
- May 16, 2019
- Messages
- 368
Sounds like you are just going to have to run them both together. I want to eventually get a brown concert with the brown vibroverb I have on order.
Here’s mine: I’m not sure what year it is. It sounds incredible. I traded an old Martin D28 for it at 30th Street Guitars in NYC about 30 years ago. (Seen here with my trusty 1959 es345!)Mostly original, including CTS AlNico’s, blue caps, transformers, hardware, and knobs.
Needs filter caps, 3-prong cord and a checkup by my tech.
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Very nice and used as it should.Here’s mine: I’m not sure what year it is. It sounds incredible. I traded an old Martin D28 for it at 30th Street Guitars in NYC about 30 years ago. (Seen here with my trusty 1959 es345!)
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A ‘63 Brown Vibroverb would be the ultimate Fender amp.Sounds like you are just going to have to run them both together. I want to eventually get a brown concert with the brown vibroverb I have on order.
Amen!Beauty.
Best club gig amp ever.
Line up any group if amps with 1 and 2 speakers...Deluxes, Twins, Pros, Princetons...at any volume.
Turn them all on.
Plug into each one and play a little.
Then plug into the Super.
I guarantee the previous amps will all suddenly sound dinky.
This is probably the best example I've heard of a vintage 63 Vibroverb.A ‘63 Brown Vibroverb would be the ultimate Fender amp.
I owned a Brown’62 Vibrolux (missed the reverb) and a ‘63 RI Vibroverb that was great, I can only imagine how good a properly spec’s vintage VV would sound,
I got to play a vintage ‘64 Vibroverb today. Sounded great, still, a ‘63 Vibroverb is the dream amp.This is probably the best example I've heard of a vintage 63 Vibroverb.